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Atlas of Saints

Zacharias

Chapter 11 · Douay–Rheims / Challoner

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Chapter XI · Location 11 of 14

Chapter 11 · Open to read

From Zacharias · Douay–Rheims / Challoner (1749–1752)

What do Beauty and Cord signify?

Atlas of Saints · Chapter summary

Feeding and broken rods precede wages and the foolish shepherd.

Chapter breakdown

The heading announces Jerusalem and temple destruction and God’s dealings with Jews. Libanus’s gates open to cedar-consuming fire; the edition identifies Jerusalem and especially the high cedar-built temple, with cedars as princes and chief men. Fir and Basan’s oaks howl over fallen cedar and forest; shepherds and lions lament glory and Jordan’s spoiled pride. God commands feeding a slaughter flock whose owners slay without repentance, sell while praising wealth, and whose shepherds spare none. He will no longer spare the land, delivering men to neighbors and king. The edition relates this to factions in the last Jerusalem siege and survivors under Rome’s emperor, citing the declaration of Caesar as king.

The speaker feeds the poor flock with Beauty and Cord. The edition interprets sweet means and bands or punishments, broken through obstinacy. Three shepherds are cut off in a month; the note explains a short time and probably short-reigning later princes and high priests. Mutual estrangement precedes refusal to feed, death and devouring neighbors. Beauty is broken to void the covenant with all people; the poor recognize God’s word. Offered wages are thirty silver pieces. God calls it a handsome price and commands casting to the statuary in his house; the edition preserves potter as another meaning. Cord is broken to sever Juda and Israel’s brotherhood.

The foolish shepherd’s instruments are commanded, interpreted as wicked princes and priests before desolation. A shepherd fails to visit the forsaken, seek scattered, heal broken or nourish standing, eating fat flesh and breaking hooves. The forsaking idol shepherd faces sword upon arm and right eye, withering and darkness. The chapter supplies no slave-price or potter’s-field annotation and does not establish the uncertain three shepherds as exact identities.

The story inside

Three shepherds have a probable identification. Statuary also means potter in the note. Cord’s breaking concerns Juda and Israel’s brotherhood.

Lessons worth keeping

  1. 1
    Three shepherds have a probable identification.
  2. 2
    Statuary also means potter in the note.
  3. 3
    Cord’s breaking concerns Juda and Israel’s brotherhood.

Test your recall

What does the foolish shepherd fail to do?

Source edition and notes

Douay–Rheims, revised by Richard Challoner (1749–1752). Project Gutenberg no. 1581. Locators refer to lines in the admitted pg1581.txt edition. Source notes may include Challoner commentary.

  1. Lines 103792–103793

    11:1. Open thy gates, O Libanus, and let fire devour thy cedars.
  2. Lines 103823–103825

    11:7. And I will feed the flock of slaughter for this, O ye poor of the flock. And I took unto me two rods, one I called Beauty, and the other I called a Cord, and I fed the flock.
  3. Lines 103851–103857

    11:12. And I said to them: If it be good in your eyes, bring hither my wages: and if not, be quiet. And they weighed for my wages thirty pieces of silver. 11:13. And the Lord said to me: Cast it to the statuary, a handsome price, that I was prized at by them. And I took the thirty pieces of silver, and I cast them into the house of the Lord to the statuary.
  4. Lines 103876–103878

    11:17. O shepherd, and idol, that forsaketh the flock: the sword upon his arm and upon his right eye: his arm shall quite wither away, and his right eye shall be utterly darkened.

Location: chapter 11 of 14 · 79%

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